Arnaud des Pallières

Paris, 1894. Who is Fanni, who claims to be voluntarily locked up in a women-only mental institution? Searching for her mother among the multitude of so-called 'madwomen', Fanni ...

A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to ...